French thriller starring Romain Duris as Tom, an aspiring musician playing seedy bars in the backstreets of Paris. Torn between his music and the example of his sleazy father's life of crime, Tom seems set to follow in his footsteps. But when he meets by chance a friend of his concert pianist mother's, Tom's musical ambitions are awoken and he strives to make a better life for himself.

Bridgett Devoue takes you on a journey into the transformative world of love, lust, heartbreak, and abuse, and discovers the steps to finding lessons within pain. why does love become abusive? and when does pain become a lesson? Soft Thorns Vol. II is the continuation of author Bridgett Devoue's debut poetry collection Soft Thorns and picks up on her journey of self-discovery and seeking answers to the questions all of our souls inevitably ask. Similar to Vol. I, Soft Thorns Vol. II is a five-chapter collection of long- and short-form poetry accompanied by gorgeous illustrations, this time in collaboration with artist Laura Kline. Devoue is not known to shy away from the darkest corners of the human experience; in fact, she dives deep into those waters and allows the reader to explore the shared vulnerabilities that all of us face. Her poems touch on topics such as longing, lust, toxic love, self-destruction, confusing breakups, abuse, and overcoming it all through finding light in even the darkest of places. Devoue's exploration into these topics is relatable to any human struggling to find peace in life's turbulent waters. This book won't give you a life boat, but it will show you how to swim. This is the book for the curious, the dreamers, and the struggler's, those who carry an insatiable urge to grow and the knowledge that life offers more for the fearless explorers of the unknown; this book speaks to the aching soul that lives in all of us.

Culture and Cultural Politics Under Reza Shah presents a collection of innovative research on the interaction of culture and politics accompanying the vigorous modernization programme of the first Pahlavi ruler. Examining a broad spectrum of this multifaceted interaction it makes an important contribution to the cultural history of the 1920s and 1930s in Iran, when, under the rule of Reza Shah Pahlavi, dramatic changes took place inside Iranian society. With special reference to the practical implementation of specific reform endeavours, the various contributions critically analyze different facets of the relationship between cultural politics, individual reformers and the everyday life of modernist Iranians. Interpreting culture in its broadest sense, this book brings together contributions from different disciplines such as literary history, social history, ethnomusicology, art history, and Middle Eastern politics. In this way, it combines for the first time the cultural history of Iran's modernity with the politics of the Reza Shah period. Challenging a limited understanding of authoritarian rule under Reza Shah, this book is a useful contribution to existing literature for students and scholars of Middle Eastern History, Iranian History and Iranian Culture.

In this candid autobiography, Amway cofounder Rich DeVos reflects on work, faith, family, and the core values he's held on to, from his humble Christian upbringing through his enormous success running one of the world's largest businesses.

Few people embody the American entrepreneurial spirit as plainly as Rich DeVos. A prominent businessman, self-made billionaire, philanthropist, worldwide speaker, bestselling author, family man, and devout Christian, DeVos not only helped create Amway, one of the world's biggest companies, but he did it from the ground up with his deep faith in God guiding the way and keeping his hopes alive. Now after the success of his bestselling books in business, DeVos reveals his personal story. Born to poor Dutch immigrants in rural Michigan during the Depression, DeVos learned about the importance of leadership and partnership. His grandfather, father, and teachers taught him valuable lessons and key principles about faith, optimism, and perseverance that would guide his entire life. In high school, he befriended Jay Van Andel, who later became his business partner. Together, they created a whole new way to sell products and established one of the largest, most successful companies in the world. DeVos also talks about his marriage and family, his experiences as a motivational speaker, his ownership of the NBA basketball team Orlando Magic, and his philanthropic, religious, and political endeavors.

Inspiring, fascinating, and full of heart, Simply Rich is the astonishing rags-to-riches story that few can tell. Through his amazing accomplishments as both a businessman and generous soul, DeVos reveals the true meaning of success and how his deep faith helped him become a true American icon.

The poetry living within these pages tells stories of love, heartbreak, freedom, oppression, sexual assault, sexism, hope, and humanity. Our darkest times are where we grow the most, so in this book, i share mine, and together we learn how to heal. Soft Thorns is a poetry collection that takes the reader on a journey through a young woman's life-from reckoning with her looks and sexuality to dealing with the trauma of sexual assault, and finally through the highs and lows of young love found and lost. Bridgett Devoue shares her raw, human story and the lessons learned from living a life fully.

Culture and Cultural Politics Under Reza Shah presents a collection of innovative research on the interaction of culture and politics accompanying the vigorous modernization programme of the first Pahlavi ruler. Examining a broad spectrum of this multifaceted interaction it makes an important contribution to the cultural history of the 1920s and 1930s in Iran, when, under the rule of Reza Shah Pahlavi, dramatic changes took place inside Iranian society. With special reference to the practical implementation of specific reform endeavours, the various contributions critically analyze different facets of the relationship between cultural politics, individual reformers and the everyday life of modernist Iranians. Interpreting culture in its broadest sense, this book brings together contributions from different disciplines such as literary history, social history, ethnomusicology, art history, and Middle Eastern politics. In this way, it combines for the first time the cultural history of Iran's modernity with the politics of the Reza Shah period. Challenging a limited understanding of authoritarian rule under Reza Shah, this book is a useful contribution to existing literature for students and scholars of Middle Eastern History, Iranian History and Iranian Culture.

This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London's South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture's involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture's ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.

This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in both Paris and Brussels; of a series of expositions in Moscow; of the Universal Exhibition in Rome that was planned to open in 1942; and of London's South Bank Exposition of 1951: all of them related, in one way or another, to either an anticipation of the global war or to its horrific aftermaths. A brief discussion of three pre-World War II American expositions that are reviewed in the Epilogue supports this point. It indicates a significant difference in the attitude of American exposition commissioners, who were less attuned to the looming war than their European counterparts. The book provides a novel assessment of modern architecture's involvement with national representation. Whether in the service of Fascist Italy or of Imperial Japan, of Republican Spain or of the post-war Franquista regime, of the French Popular Front or of socialist Yugoslavia, of the arising FRG or of capitalist USA, of Stalinist Russia or of post-colonial Britain, exposition architecture during the period in question was driven by a deep faith in its ability to represent ideology. The book argues that this widespread confidence in architecture's ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.

There is no way back. Change is everywhere - in society, politics, business - and it is turbulent. Existing structures are being dismantled and new ways of competing (and collaborating) are being formed. The only option is to be adaptive and to create the best from what is possible. This book tackles the change that every organization is subjected to, by offering a different leadership style. Its aim is to get the best from everybody, which requires a genuine people-centric approach. But it also involves shifting towards an agile way of working, where accountability and resources are delegated to people deep in the organization so that they can focus on customer centricity, innovation, and value creation. Contrarian but relevant, this book is essential reading for business leaders and managers who are seeking a better future for their organizations.

THIRTY MILLION READERS WORLDWIDE. INCLUDES EXCLUSIVE NEVER BEFORE SEEN CHAPTER. 'The Hunger Games meets The Road' MTV The world is different now. There are no rules, no governments, and no guarantees that you'll be saved. Rival factions have taken over, fighting each other for survival with no loyalty to anyone but their own. At 21, Hayden has taken over Blackwing and is one of the youngest leaders in the area. In protecting his camp from starvation, raids from other factions and the threat of being kidnapped, he has enough to worry about before he finds Grace. The daughter of the head of the rival camp Greystone, she is slow to trust anyone, much less the leader of those she has been trained to kill. This is danger. This is chaos. This is anarchy.

Are your kids glued to the television and computer games? Are you tired of hearing, "I'm bored. There's nothing to do."? Fear not, because I Am Never Bored: The Best Ever Craft and Activity Book for Kids is here to save the day with 100 activities ranging from making dream catchers, to nail art, to a cardboard castle, to an anti-stress ball-kids will always have something to do. This is the ultimate craft and activity sourcebook for kids, parents, teachers, and babysitters struggling to find creative things to do with kids ages 3 to 10. The projects are not only fun, but designed to engage children's minds. Make these and more great crafts, both classic and brand new, using stuff from around the house: Fortune Teller Paper Bag Masks Tin Can Telephone Marble Track Paper Lantern Quick Sock Puppet Salt Dough Stained Glass Window with Tissue Paper Fun for adults and kids to do together, but even better, there is plenty for kids to do together or solo, so parents will be able to get things done.

Precious Metal Clay (referred to as 'PMC') is one of the most remarkable developments in silver and gold metal working since lost wax casting was developed thousands of years ago. This product is manufactured by Mitsubishi Materials Corporation and is available in fine silver (0.999%) and 24K gold. It is composed of microscopic metal particles, a non-toxic organic binder and water. It looks, feels and is shaped just like potter's clay but after firing all that is left is solid precious metal.

Virgin recording group A Perfect Circle has concluded a half-year creative process of emotional soul-searching with the completion of their much-anticipated second album, Thirteenth Step. A dramatically powerful album that picks up sonically where Mer De Noms left off, Thirteenth Step is a conceptual exploration of the darker side of the human psyche. The final sequence of songs includes: "The Package," "Weak and Powerless," "The Noose," "Blue," "Vanishing," "A Stranger," "The Outsider," "Crimes," "The Nurse Who Loved Me," "Pet," "Lullaby," and "Gravity."

While Antoinette the tree frog is napping, the painter Monsieur Claude loses his hat in the breeze. Adventure unfolds when a magpie snatches the hat. Part of the First Steps in Art series, this whimsical tale introduces toddlers to fine art and the works of Claude Monet. The water lily painting Nympheas, effet du soir, invites young readers to discover it at the Marmottan Museum and take a walk in the painter's garden in Giverny! Water lilies and tree frogs await you there.

This book reports on the 13th International Workshop on Railway Noise (IWRN13), held on September 16-20, 2019, in Ghent, Belgium. It gathers original peer-reviewed papers describing the latest developments in railway noise and vibration, as well as state-of-the-art reviews written by authoritative experts in the field. The different papers cover a broad range of railway noise and vibration topics, such as rolling noise, wheel squeal, noise perception, prediction methods, measurements and monitoring, and vehicle interior noise. Further topics include rail roughness, rail corrugation and grinding, high-speed rail and aerodynamic noise, structure-borne noise, ground-borne noise and vibration, and resilient track forms. Policy, criteria and regulation are also discussed. Offering extensive and timely information to both scientists and engineers, this book will help them in their daily efforts to identify, understand and solve problems related to railway noise and vibration, and to achieve the ultimate goal of reducing the environmental impact of railway systems.

This book reports on the 13th International Workshop on Railway Noise (IWRN13), held on September 16-20, 2019, in Ghent, Belgium. It gathers original peer-reviewed papers describing the latest developments in railway noise and vibration, as well as state-of-the-art reviews written by authoritative experts in the field. The different papers cover a broad range of railway noise and vibration topics, such as rolling noise, wheel squeal, noise perception, prediction methods, measurements and monitoring, and vehicle interior noise. Further topics include rail roughness, rail corrugation and grinding, high-speed rail and aerodynamic noise, structure-borne noise, ground-borne noise and vibration, and resilient track forms. Policy, criteria and regulation are also discussed. Offering extensive and timely information to both scientists and engineers, this book will help them in their daily efforts to identify, understand and solve problems related to railway noise and vibration, and to achieve the ultimate goal of reducing the environmental impact of railway systems.

Hailed by The Guardian and other publications as 'a real-life Indiana Jones,' Slovenian archaeologist Ivan Sprajc has been mapping out previously unknown Mayan sites in Mexico's YucatAn Peninsula since 1996. Most recently, he was credited with the discovery of the ChactUn and Lagunita sites in 2013 and 2014, respectively, helping to fill in what was previously one of the largest voids in modern knowledge of the ancient Maya landscape: the 2,800-square-mile Calakmul Biosphere Reserve in central YucatAn.Previously published in Sprajc's native Slovenian and in German, this thrilling account of machete-wielding jungle expeditions has garnered enthusiastic reviews for its depictions of the efforts, dangers, successes, and disappointments experienced as the explorer-scientist searches out and documents ancient ruins that have been lost to the jungle for centuries. A skilled communicator as well as an experienced scholar, Sprajc conveys in eminently accessible prose a wealth of information on various aspects of the Maya culture, which he has studied closely for decades. The result is a deeply personal presentation of archaeological research on one of the most enigmatic civilizations of the ancient world. Generously illustrated, this book follows the chronology of Sprajc's discoveries, focusing on what he considers the most interesting episodes. Those who specialize in Mesoamerican prehistory and archaeology will certainly relish Sprajc's reports concerning his many field surveys and the discoveries that resulted. General readers, too, will enjoy his accounts of previously undocumented sites, ancient urban centers overtaken by the jungle, massive sculpted monuments, and mysterious hieroglyphic inscriptions.